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Georges Feydeau (; 8 December 1862 – 5 June 1921) was a French playwright of the era known as the Belle Époque. He is remembered for his many lively farces. He wrote over sixty plays and was a forerunner of absurdist theatre. ==Biography== Georges Feydeau was born in Paris, the son of novelist Ernest-Aimé Feydeau and Léocadie Boguslawa Zalewska. At the age of twenty, Feydeau wrote his first comic monologue in earnest. He found his first success four years later with ''Tailleur pour dames'' (''Ladies' Dressmaker'', 1889). That same year Feydeau married Marianne Carolus-Duran, the daughter of the famous portrait painter Carolus-Duran. To Feydeau, the marriage brought wealth that would sustain him until he found greater success. The marriage lasted 15 years after which the couple underwent a judicial separation and were formally divorced in 1916. Feydeau began investigating the great farces in 1890, studying the works of Eugène Labiche, Henri Meilhac and Alfred Hennequin. This study inspired him to write his acclaimed play ''Champignol malgré lui'' (''Champignol in Spite of Himself'', 1892). Following this, Feydeau made a name for himself both in France and abroad, some of his plays opening overseas and in other languages before they opened in France. These farces often involved Paris' ''demi-monde''. They are noted for great wit and complex plots, featuring misunderstandings and coincidences, and what one critic called "jack-in-the-box construction". Among his 60 plays, his most famous are: ''Une puce à l'oreille'' (''A Flea in Her Ear'', 1907), ''Le Système Ribadier'' (1892), ''La Dame de Chez Maxim'' (''The Girl from Maxim's'', 1899), and ''Hortense a dit: "Je m'en fous!"'' (''Hortense says, "I don't give a damn!"'', 1916). Other notable Feydeau farces include ''L'Hôtel du libre échange'', ''Le Dindon'' (''Sauce for the Goose'', 1896) and the series of plays he wrote after 1908 grouped under the title "Du Mariage au Divorce" ("On purge bébé", "Feu la mère de madame", Léonie est en avance" and "Mais ne te promène donc pas toute nue"). Though critics at the time dismissed Feydeau's works as light entertainment, he is now recognized as one of the great French playwrights of his era. His plays are seen today as precursors to Surrealist and Dada theatre, and the Theatre of the Absurd. They have been continuously revived and are still performed today, 17 of which have been performed on Broadway from 1895 to 1992. In Serbia, theatre director Ljubisa Ristic directed his piece ''Une puce à l'oreille'' (''A Flea in Her Ear'', 1907), which was performed more than 1600 times and it is continued to be performed with great appreciation by audiences. The premiere was on June 7, 1971, and it is being performed continuously more than 44 years. Despite being a phenomenally successful playwright during his lifetime, his propensity for high living (he had a table permanently reserved for him at Maxim's), gambling, and the failure of his marriage led to financial difficulties. During the winter of 1918, Feydeau contracted syphilis and slowly descended into madness to his death three years later at age 58. He is buried in Cimetière de Montmartre in Paris. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Georges Feydeau」の詳細全文を読む スポンサード リンク
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